Serge Alain Nitegeka
An Artist’s New Migration Song by Siddhartha Mitter

April 2020
New York Times

'An Artist’s New Migration Song': Siddhartha Mitter appraises vulnerability, form and the movement away from abstraction in Serge Alain Nitegeka's latest body of work.

Into The Black, 2015

'Nitegeka has been concerned with exploring the relationship between the body and its surroundings since he began exhibiting in 2008, cementing a particular commitment to experiences based on oppression or discord as part of the specific context of forced migration' writes Allie Biswas

Vitamin P3: New Perspectives in Painting, October 2016

Nitegeka's works 'can be considerd vital dialogues that fuse painting and sculpture into allegories of migration and modernity' writes Colin Perry

Nine Weeks, October 2015
'Form without formula': Serge Alain Nitegeka in conversation with Hansi Momodu-Gordon during the installation of Nitegeka’s solo exhibition Black Passage at Stevenson, Cape Town

ARTnews, March 2015

'From Marianne Boesky to SCAD, Serge Alain Nitegeka's Black Plank Installations Stand Out': Brian Boucher reviews Structural-Response II at the SCAD Museum of Art

Financial Mail, October 2015

'Realism in Abstract': Ashraf Jamal reviews Nitegeka's exhibition Black Passage at Stevenson, Cape Town

Black Subject/s, 2012

Bettina Malcomess and Rita Kersting investigate Serge Allain Nitegeka's 2010 – 2012 body of work

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